Studio Art Gallery accueille deux artistes peintres qui aiment le Tango et gardent dans la peinture le duo de la piste de danse pour une Exposition \u00ab\u00a0A quatre mains\u00a0\u00bb : Catherine Noizet Faucon et Alexandre Armengol.<\/p>\n\n\n\n
\u00ab J\u2019ai d\u00e9couvert le tango il y a plusieurs ann\u00e9es. La pratique et les milongas m\u2019ont permis de faire la connaissance d\u2019Alexandre, tanguero, et d\u2019\u00e9changer avec lui autour de la peinture, lors de mes expositions.<\/em><\/p>\n\n\n\n Un projet est n\u00e9 de cette rencontre : r\u00e9aliser ensemble \u00e0 quatre mains dans mon atelier des peintures qui expriment notre plaisir de danser, avec l\u2019intention de montrer la part subtile de la connexion. Cela a pris le temps n\u00e9cessaire, pour cr\u00e9er un \u00e9quilibre entre nos sensibilit\u00e9s respectives et les moyens que nous nous donnons pour les transcrire dans la mati\u00e8re picturale et l\u2019espace de la toile. Les \u0153uvres se construisent petit \u00e0 petit et aboutissent aujourd\u2019hui \u00e0 l\u2019envie de les partager, de les montrer. <\/em><\/p>\n\n\n\n <\/p>\n\n\n\n <\/p>\n\n\n\n Catherine Noizet Faucon<\/strong><\/p>\n\n\n\n Artiste peintre.<\/p>\n\n\n\n L\u2019originalit\u00e9 de l\u2019artiste est de s\u2019\u00eatre appropri\u00e9 rapidement un univers suffisamment vaste pour ne pas \u00eatre identifiable imm\u00e9diatement dans des tendances cibl\u00e9es, voguant avec une grande libert\u00e9 entre l\u2019abstraction et la figuration. En savons-nous les limites ? Une \u0153uvre n\u2019est jamais compl\u00e8tement abstraite, l\u2019abstraction totale n\u2019existe pas en peinture. L\u2019\u0153uvre est toujours le r\u00e9sultat d\u2019\u00e9motions, de gestes contr\u00f4l\u00e9s de quelqu\u2019un de vivant.<\/p>\n\n\n\n On sait que lorsque Mozart s\u2019arr\u00eatait de jouer, le silence \u00e9tait encore du Mozart. Cette fa\u00e7on de jongler dans diff\u00e9rents secteurs donne \u00e0 Catherine Noizet Faucon une souplesse dans ses interpr\u00e9tations. La figuration peut devenir abstraite, et l\u2019abstraction figurative. Les deux modes d\u2019expression sont tr\u00e8s proches, ils permettent d\u2019\u00eatre \u00e0 l\u2019aise, de pouvoir transformer, modifier, et d\u2019orienter \u00e0 l\u2019atelier son travail comme bon lui semble, fid\u00e8le \u00e0 ses sentiments.<\/p>\n\n\n\n Le regard quotidien, le sens donn\u00e9 \u00e0 la vie peuvent vous inciter \u00e0 faire une \u0153uvre tr\u00e8s d\u00e9pouill\u00e9e ou tr\u00e8s pleine, mais une \u0153uvre vivante et jamais abstraite.<\/p>\n\n\n\n N\u00e9e en 1955 \u00e0 Paris, Catherine Noizet Faucon vit \u00e0 Tassin-la-Demi-Lune, travaille le dessin et la peinture. Elle a cr\u00e9\u00e9 des vitraux entre 1996 et 2013, des murs peints en 1997-98. Dipl\u00f4m\u00e9e de l\u2019Ecole d\u2019Arts Plastiques Martenot, elle a anim\u00e9 des ateliers pour enfants et adultes jusqu\u2019en 2019, a \u00e9t\u00e9 m\u00e9diatrice-conf\u00e9renci\u00e8re au Mus\u00e9e des Beaux-Arts de Lyon de 1990 \u00e0 2005. Elle expose depuis 1977 en France et \u00e0 l\u2019\u00e9tranger, participe \u00e0 des Salons et Biennales. Engag\u00e9e dans la vie associative culturelle, elle est membre \u00e9lue et d\u00e9l\u00e9gu\u00e9e r\u00e9gionale du Syndicat National des Sculpteurs et Plasticiens.<\/p>\n\n\n\n Derni\u00e8res expositions personnelles et collectives : 2024 : 2e Biennale de la Ville de Vichy, Temps vivants <\/em>Salle Entr\u2019vues, Charbonni\u00e8res-les-bains 69 – 2023 : Rencontres inopin\u00e9es <\/em>Galerie Imag\u2019in Lyon 69 – Salon Comparaisons <\/em>Grand Palais Eph\u00e9m\u00e8re Paris 75- Ch\u00e2teau de Charnay en Beaujolais 69.<\/p>\n\n\n\n <\/p>\n\n\n\n Alexandre Armengol<\/strong><\/p>\n\n\n\n Ancien \u00e9l\u00e8ve de l\u2019Ecole Nationale des Beaux-Arts de Paris.<\/p>\n\n\n\n Travail pictural exp\u00e9rimental bas\u00e9 sur le d\u00e9ploiement de la mati\u00e8re.<\/p>\n\n\n\n <\/p>\n","protected":false},"excerpt":{"rendered":" Studio Art Gallery accueille deux artistes peintres qui aiment le Tango et gardent dans la peinture le duo de la piste de danse pour une Exposition \u00ab\u00a0A quatre mains\u00a0\u00bb : Catherine Noizet Faucon et Alexandre Armengol. \u00ab J\u2019ai d\u00e9couvert le tango il y a plusieurs ann\u00e9es. La pratique et les milongas m\u2019ont permis de faire la 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